We did some wet-on-wet painting yesterday, and it made me think about the things I really like about it. I especially appreciate how it tends to give great results despite being so simple. Or maybe it’s BECAUSE it’s so simple that the results are great..?
Either way, I thought it could be worthwhile sharing with you how we usually go about painting wet-on-wet, as well as a few examples of our results, and some thoughts on the positives of using this technique.
What materials are needed for wet-on-wet watercolours?
I’d say the minimum requirements are:
- Paper, thick and sturdy enough to use for watercolours
- Watercolour paints
- A sponge or two
- At least one brush, preferably wide (around 3/4” or so is great)
We usually use a heavy cartridge paper, sponge it down with water, and then apply watercolours using a fairly wide brush. Most of the time we choose just two or maybe three colours to use, and you can actually do a lot with only one colour as well, focusing on effects created by differences in intensity (light/dark), different brush strokes, and shapes.
Sometimes we’ve skipped the brush and just used sponges for applying the colours as well, and other times we’ve made it more of a gross motor activity, using the garden hose to wet the papers and then splattered and/or dripped the paint from above.
In what ways could this be considered “a mindful sensory art experience”?
In all fairness, pretty much all art activites are more or less of a sensory experience, and when painting, we’ll naturally be using our visual sense in particular, focusing on colours, lines and shapes. When painting wet-on-wet, the soaking of the paper with a squishy sponge, and the overall wetness of the whole activity, brings almong an element of ‘messy play’. Of course there are many other ways of including tactile aspects of various kinds in painting activities, wet-on-wet watercolours is just one possibility.
Moving on to the ‘mindfulness’ of painting wet-on-wet, I will start off by saying that I’m not in any way a pro when it comes to mindfulness, nor am I a qualified art therapist or trained in the Waldorf methods of painting which I will talk a little bit about below. But I’m hoping that our experiences and my reflections on these can still be of use and inspiration! If this sparks an interest, there is a whole world of further knowledge which you can go on to seek out in your own time, if you so wish.
Firstly, some background: When our Penguin was little, he went to a Waldorf preschool (or rather he went to two different ones, due to us moving when he was 3 years old), and after that he attended a Waldorf school for about 1.5 years, before we decided on giving home education a go instead. We’re quite eclectic in our approach to learning, so I’m happy to take on board influences from various educational philosophies, and although our overall experience of the Waldorf school that Penguin attended wasn’t a very positive one (to put it nicely), I can still take inspiration from some of their methods and ideas.
Although I’d experimented a little bit with wet-on-wet painting myself when I was younger, I got a whole new perspective on it when taking part in the lessons at Penguin’s school. There, the activity was almost ceremonial, and meditative. They used large,thick papers of perfect quality for this purpose, and these were soaked in water well in advance, in shallow trays. When it was time to paint, each child collected a painting board to put the paper on, and then when the paper was placed on the board they carefully brushed it with a sponge to make sure no air bubbles were trapped under the paper. The children were also provided with a small glass cup containing liquid watercolours. When everyone was ready to start painting, they each grabbed their brush, and from that moment total silence was expected (and often achieved, too!).
The focus was very much on the experience of the colour being applied to the wet paper, as well as the physical act of it all, holding the brush, dipping it into the paint (they used liquid watercolours), moving it across the paper while applying the colour, and so on.
This is where the mindful side to this activity becomes apparent. As I said earlier, I’m not at all an experienced mindfulness practitioner, but I know that a fundamental part of it is about focusing mentally on being in the now, and taking detailed notice of both our inner and outer world at the present moment.
As I see it, painting wet-on-wet in the way they did it at Penguin’s school, and in the ways we tend to do it at home now, really encourages a moment of being mindful. To take full advantage of this, I’d recommend:
- Staying abstract, rather than being figurative. Let the colours and shapes be enough in themselves.
- Using a limited amount of colours, preferably just one or two. I think it helps keeping focus on the act of painting, not having to consider colour choices during the activity.
- Having an idea about form before you get started. For example, just painting horisontal lines across the paper, from left to right. Perhaps with an intention of gradually making the colour lighter at the bottom and gradually darker towards the top? Or start off by making some kind of shape in the middle, perhaps a spiral for example, and then just build on that, perhaps including a second colour and letting the two meet..?
Before letting you run off to get your paints out, I want to confess that our painting sessions probably never appear very ‘mindful’ to any onlookers. Penguin is, for the most part, a very full on kind of person, and he’ll rarely stop moving about for more than a brief moment. However, in some ways I think he could be described as a very ‘mindful’ person, as his natural setting is to live very much in the moment, always taking notice of details in his surroundings and communicating with his whole body rather than with words (for those of you who don’t already know, he’s autistic and non-verbal).
Either way, I feel that this type of painting activity provides us with opportunities to focus on and enjoy the qualities of the materials and colours, in a simple and low-demand kind of way. And if I feel that we’re not having a great day, for example if Penguin is a bit ‘all over the place’, this usually helps us finding a somewhat calmer and more positive mindset. I hope some of you can relate!
Thank you so much for reading! For more art & crafts ideas from us, please take a look HERE. And to see more of what else we get up to, join us on social media!:
Below are a few products from amazon.co.uk relevant to this post (click on picture or text, links open in new window). Prices stated were accurate at the time of publishing but may of course change.
- Stockmar Watercolours Set of 6 £22.60
- Hahnemuhle Harmony Watercolour Paper Cold Press A4, 12 pages £6.39
- Curtisward Mastertouch Flat Watercolour 6 Brush Set £14.99
- Hahnemuhle 30x40cm Watercolour Paper (300gsm) 20 Sheets £11.98
- Playbox Palette with Paint Pucks, Set of 6 Colours £9.75
All links included in this post are Amazon Affiliate links, meaning that if you click through here and decide to make a purchase, I should recieve a small commission from Amazon (of no extra cost to you, of course!) as thanks for pointing you in their direction. Every little helps, thank you ❤
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